By Marvin Sterling
Sterling offers a nuanced ethnographic research of the ways in which many jap thinking about reggae as musicians and dancers, and people deeply engaged with Rastafari as a religious perform, search to reimagine their lives via Jamaican tradition. He considers eastern performances and representations of Jamaican tradition in golf equipment, competitions, and gala's; on web content; and in track lyrics, track movies, reggae magazines, commute writing, and fiction. He illuminates problems with race, ethnicity, gender, sexuality, and sophistication as he discusses subject matters starting from the cultural capital that eastern dancehall artists amass by means of immersing themselves in dancehall tradition in Jamaica, manhattan, and England, to using Rastafari as a method of critiquing category distinction, consumerism, and the colonial pasts of the West and Japan. Encompassing the reactions of Jamaica’s artists to eastern appropriations of Jamaican tradition, in addition to the relative positions of Jamaica and Japan on the planet economic climate, Babylon East is an extraordinary ethnographic account of Afro-Asian cultural trade and international discourses of blackness past the African diaspora.
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Additional info for Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan (e-Duke books scholarly collection.)
Babylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan (e-Duke books scholarly collection.) by Marvin Sterling